Portsmouth resident Christopher Reeves is the man behind the eerie, playful electronica of the Gasman. A teenage fan of breakbeat rave music, early Aphex Twin, and the output of the Rephlex label, Reeves began creating music using a programmable Yamaha keyboard as well as samples from records, tapes, and the radio. Some of his music was built from reel-to-reel tapes of classical music run through a computer. In 1998, he began using programs Soundforge and Acid to create tracks. Gradually, he developed a style which blended sophisticated, Baroque-influenced melodies with chopped-up breakbeats, all covered in an ethereal, glowing echo.

Since then, he has released material on Planet Mu, Sublight Records, Terminal Dusk, Warp, The Centrifuge and Believers Roast as well as his own GasmanMusic, with his most recent album, 2016’s Aeriform, being released on Onomatopoeia. He has a number of other alter-egos including Synthia, Wiggy, and Meatman.

The Gasman will be bringing a show reel of his brain wobbling videos for your late night delectation. Such as the video to Museum from 2014’s Hiding Place #2: https://www.youtube.com/watch?v=pOHc1LxXXFc

Read more about The Gasman on his website: http://gasmanmusic.com/
Listen and buy Gasman music at https://thegasman.bandcamp.com/

2016 (What The Fuck Is Going On?). Last year on the eve of Harpo Marx’s assassination the Cube Cinema in Bristol made a time-stretched and burnt sample offering to one of the all time best pop bands in the world. Forever Justified & Ancient.

Along with the burning of 1K that night, an hour long mysterious mix of K related footage flickered onto the cinema’s screen. The 3rd Eye space now & for eternity presents a rare chance to reView.

The Cube is a Microplex Cinema, Arts venue, adult creche and progressive social wellbeing enterprise in Central Bristol, England. It was formed in 1998 by 4 artists who had no idea what they were getting into. Idealists, amateurs, fools, material positivists, stilt walkers, film directors, screen writers, occultists. But not even running illegal cinema speakeasy events in Bristol (Club Rombus) could prepare them for the monster they gave birth to one cold and rainy October evening in 1998.