Category Archives: Live music

The Loveburns

Loveburns

Spawned from space, microbes sprayed to earth from starry dark unfathomed. An instant of light , brutally consumed void, thus appeared the Loveburns, particular, obeying rules man was not meant to know. Flesh and blood evolved, proof spectacular re animation is possible. shelley be praised. Soul sonic justice. Channelled live and direct to all our flesh.  Such gloried radiation bathes our brains in the saints of vibration, basie ellington davis all manner of devo velvet strangled ants disco configured for arse shakery, play that funky music till you die.

See a track from their live session at Clark Kent’s Rock & Roll Revue here: http://www.youtube.com/watch?v=QxoiO_FMw5Y&sns=em
https://www.facebook.com/pages/The-Loveburns/76569725975

Space Blaster

Space Blaster

Space Blaster is the musical alias of brothers Jamie (23) and Tom Grashion (26), practicing and playing together for well over a decade and both with years of engineering experience for top UK producers, the duo have a honed in vision and ear for live rock music. Inspired by the likes of Queens Of The Stone Age, Arctic Monkeys, The Dead Weather and Royal Blood, Space Blaster take you on a journey through their unique blend of heavy blues riffs, ear licking hooks and razor sharp synths over a sea of thundering rhythms. Having headlined well established London venues such as Camden’s Barfly and Dublin Castle and the years of hard graft already worked on the music scene supporting Killing Joke, playing Glastonbury, Heaven, The Fleece, Clapham Grand etc. Space Blaster are looking to up the anti on the live circuit.

https://www.facebook.com/spaceblasteruk

Redbus Noface

One crisp morning at the “Toy Haven”, the Sun fighting its way through begrimed windows, the telephone rings. The owner and manager of Worcester Park’s premier toy shop answers. Somehow he does not infer from the cod German accent on the line that he is being made a fool of, or worse. The voice is demanding directions and is intent on buying a plastic sit-upon, “The bus with the face”. For little Wolfgang, of course. Amid smirks and giggles from the party at the other end of the line, and many calls later, our brave Mr. Hall, (for it is he), finally is moved to weary exasperation. He suggests our friends from Europe board the bus, a 213 to Kingston Garage and head back towards the shop; they would appear to have disembarked in North Cheam. “We are in Beam!” they squeal. “You must get on the bus”, He says, starting to shout just a little. The party who claim they are from Dusseldorf are confused. “The bus with the face?” they ask. “No!” he blurts. “RED BUS, NO FACE”! The legend is born, and the whole sorry episode is captured on quarter inch tape. It will be listened to many, many times. Many, many times. Notwithstanding the impious treatment meted out to Mr. Hall and his minions at the “Toy Haven”, the music springing from this pointless but gladdening episode is certainly not intended to amuse, but rather to divert your attention from the adorable little miseries you would rather not confront, today or any day. Never was so little precedent engaged for so little reason; damaged music from who knows where created for reasons we should never wish to know. Be like little Wolfgang. Enjoy.

Watch their super wonderful collaboration with Jo Spratley and Bic Hayes covering Tim Smith’s Ocean Shipwreck at the Alphabet Business Convention in 2015 or this sweet little rehearsal clip.

Redbus Nofacebook

Binnsclagg

Binnsclagg mix spoken word and electro-acoustic sound sources, often creating deliberately, provocatively unpleasant audio events. Past performances have seen them using industrial cutting equipment, filling cramped venues with showers of incandescent sparks and grating metallic shrieks [Wire Magazine]

Binnsclagg are idiots.

https://binnsclagg.bandcamp.com/album/live-april- may-2015

Thee Hairee Kuntz

Thee Hairee Kuntz beamed down from planet Kuntz in 2013 to provide earthlings with crunchy space jazz and improvised musical visions. We are a “super group” of all-female be-hooded and be-robed players, residing in Brighton and London, comprised of members of: The A BAND, Dolly Dollycore, Gardyloo Spew, BINNSCLAGG, Earth Mother, Bloom, GAGGLE, The Zero Map and The Bald Knobbers. We are ecstatic to play a set of improvised, experimental soundscapes using a variety of electronic and acoustic percussion instruments and vocal sounds.

We want to create MAGIC! We shall be creating a shamanistic smoke, smells and incantations to a visual pre-filmed backdrop of us completing a ritualistic performance. We will create a film of us performing an incantation to the benevolent spirit of Festival 23 and the ever-lasting Goddesses Freya, Isis and Eris, a short while before the festival to be incorporated into our performance.

We are here to represent the under-represented. To have fun, spread cosmic vibes, create a force field of love and energise the spirits. Our sound is sometimes jazz, sometimes noise, spacey, minimalist, building, controlled sets with lots of ear play, interplay and lysergic psychedelic drama. We move between twinkly, soft and enchanting to heavy, crunchy, pulsating, rhythms and screeching saxophones and back again along a seamless river. We are influenced by Sun-Ra, Bolide, Bjork, Moomins, the films of Tarkovsky and the celebration of disorder and the lightness of chaos. We have been cited as sounding like all of these things.

We are a dreamscape. We are evolving. We are mischief. We are tiny particles of light. Let the light shine through at Festival 23.

https://www.facebook.com/Thehaireeekuntz/

FOUR MANATEES

FOUR MANATEES: Backlight Dreams

Four Manatees will explore, expose, explode, merge and destroy boundaries between composition, improvisation, play and ritual. We will fool around with the idea of a “game”, or a “ritual” of a “piece of music” or “poetry” in five written pieces, each using a different compositional method and including elements of ritual and play. We will invite others to join us, and if you are in the audience you will become involved too.

Four Manatees are Dolly Turing and Verity Spott. They met five years ago in a whirl of free improvisation and live together in Brighton. They are in love and spend their time making and shaping dialogues, friendships, schemes, play, poetics. Both are musicians, using improvisation and composition. They play together using instruments, toys and electronics. Both are writers. Through different stresses and spheres their writing has in common queer love, transformation, bathos and a distrust for power games and established and arbitrary formalities.

Both hold a deep burning love for ritual, symbolism and process, a light hearted tendency to “make shit up” and a practical cynicism in the face of life and death.

Verity and Dolly have a fascination with exploring / exploding the boundaries between music/sound, magical ritual, poetry and play, using this as a tool. They have continually developed these ideas, for example composing a piece “Rocket Science” for Cage Rattling, a tribute to John Cage, Kings Palace, London; collaborating with each other and others on soundscapes, poetry and ritual at the poetry press’s “Veer to Athens” event last year, and creating a music/poetry/ritual for 2015’s Brighton Alternative Jazz Festival’s aftershow.

Daniel WJ Mackenzie

Daniel W J Mackenzie is a musician and sonic artist who works with varied sound sources and intentions, combining treatments of physical instruments and objects with field recordings and numerous abstraction processes. His work draws on the emotional and psychological crossings where music and non-musical sound meet, resulting in material that can swing quite violently between sombre and intense. His output has taken the form of physical releases on international record labels, plus installations and performances in the UK and wider world.

http://www.danielwjmackenzie.com/#about

Cowtown

Initially seeking an antidote to a perceived over earnestness amongst the Leeds post-hardcore scene they called home; and formed out of a desire to fill LS6 residential basements with party starting punk rock, Cowtown have outlasted those early peers and sweaty basement hangouts to spend a decade as one of the strongest pulses to circulate the city’s DIY community’s beating heart. Simply getting better with age, the ebullient trio return following three cult full-lengths — most recently 2013’s Dudes vs Bad Dudes on Sheffield DIY label Audacious Art Experiment — with a 7” on the Too Pure Singles Club ft. “Castleman/Castle Greyscale” and a new album PARANORMAL ROMANCE slated for a summer release.

Watch the new video Castle Greyscale.

https://www.facebook.com/COWTOWN-7567080935/
https://twitter.com/wearecowtown
https://cowtown.bandcamp.com

Cuckoo Clocks

Hidden away in potent smoke filled rooms, where valves from the past, hum in the present, the authentic yet deviant sound of the six piece Sheffield band The Cuckoo Clocks conjure up the spirit of the country sound born from psychedelia with harmonies and ancient rhymes mixed with it’s home town’s eccentric tradition.

Originally the eccentric brainchild of Paul Infanti (from much missed John Peel favourites, Treebound Story) and DJ/producer Sophie Toes (Sheffield’s foremost queen of the Mixer), Cuckoo Clocks have since become a fully-fledged 6 piece symphonic beast, blending beautifully naive clockwork rhythms with definitive super glue melodies to create a pastoral Garden Wall Of Sound.

There’s no place for the illusions of the daily grind as the madness of time retreats their second album, “Frontiers of a Seductive Mind”, Awakes!

http://thecuckooclocks.bandcamp.com/